Research paper on a dolls house by henrik ibsen Video
A Doll's House by Henrik Ibsen (FULL Audiobook)Assured. There: Research paper on a dolls house by henrik ibsen
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Length Requirement: words minimum, approximately pages Don't use plagiarized sources. Use the ARC Library databases to find your sources. The best sources for literary criticism are usually scholarly journals or books found via the Library databases. Experimenting with key words to help you refine your searches is an important part of locating good sources. Cite and document both sources, as well as the play in your paper.
research paper on a dolls house by henrik ibsen
Escaping the Cage of Marriage in Henrik Ibsen’s A Doll’s House
The controversial social themes in this work embodied the struggle of women to conform to humiliating societal expectations. In the play, the dynamic character Nora, who is first characterized as a trophy wife, begins to recognize the web of lies and deception prevalent in her household.
The tarantella is a Neapolitan dance that Torvald wishes for Nora to perform at a ball. Rooted in a medieval Italian ritual, the tarantella was a dance originally performed by victims of a lethal tarantula bite. It is a frenzied, swift, and almost hysterical attempt by victims of the sting to cure themselves of the poison. At the beginning of Act I, Nora is presented as a frivolous, twittering character, here solely with pleasing her husband and maintaining appearances.
The poison of the sting has already been ingrained deeply within Nora, and she cherishes this poison, unaware of its suppression of her own intellect and identity. As Act I progresses, Nora reveals an enormous secret that she has been keeping from Torvald.
She confides to Mrs. However, this belief only serves to magnify the extent of her revelation at the end of the play and how societal constraints have contributed to a falsified view of her life. I am going to dance! To facilitate these liminal occasions, Turner states that sacred dances and performances are often utilized, such as the tarantella.
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She maintains the role of an ideal wife, residing entirely within the domestic sphere. Thus, her frenzied and impassioned dance can be seen as her struggle against the strict conformities of societal expectations and an implicit desire to break free of them.
According to Turner, once Nora is masked in a different identity, she is expected to act in the role of that identity. The tarantella lies within the realm of proper bourgeois behavior while serving as a loophole that allows Nora to express her troubled and disheveled emotions. Thus, it is important to note that Nora does not completely break the second indochina from societal constraints at the end of the dance.
Truly, the tarantella and masked Nora scene portray the ultimate tragedy of married women in the late 19th century. While Nora performs the tarantella as a plea for recognition of her independent existence, she is perpetuating the identity of an ideal wife who acts at the pleasure of her husband. In Act III, as Nora and Torvald return from the dance and Torvald discovers the letter, Nora begins her final transformation, fully cleansing the poison from herself.
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Her poison, she realizes, did not originate from Krogstad, but instead from Torvald. I have been your doll wife…That is what our marriage has been. Throughout the play, Torvald is representative of the crushing nature of societal expectations on women, asserting that above all, women are a wife and a mother. He depicts the lack of autonomy of married women in bourgeois society to express themselves and act independently of their husbands through the symbol of the tarantella. Did you like this example?]
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