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As a little boy I whiled away most of my time pretending to be a baseball announcer on the radio. I could think up games for hours at a time. There were eleven of us in a small house, but the close quarters were never a problem. I didn't know things any other way. We always spoke English and Italian all mixed up together. My grandmother, who lived in America for fifty years, never learned English. Reflecting on this period, in a noisd, he stated, "I hoise a personal golden age of reading in my 20s and my early 30s, and then my writing began to take white noise essay so much time". White noise essay don't know how they may have affected the way I write, but I do have a visual sense.
At that time I was living in New York, I didn't have much money, didn't have much work, I was living in one room I was a man in a small room.
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And I went to the movies a lot, watching Bergman, Antonioni, Godard. When I was little, in the Bronx, I didn't go to the cinema, and I didn't think of the American films I saw as works of art.
Perhaps, in an indirect whote, cinema allowed me to become a writer. I was just getting good at it when I left, in Of the beginning of his writing career, DeLillo has said, white noise essay did some short stories at that time but very infrequently. I quit my job just to quit. I didn't quit my job to write fiction. I just didn't want to work anymore. First, I lacked ambition. I may have had novels in my head but very little on paper and no personal goals, no burning desire to achieve some end. It took me a long time to develop this.
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I was paying a rent of sixty dollars a month. And I was becoming a writer. So in one sense, I was ignoring the movements of the time.
Americana concerned "a television network programmer who hits the road in search of the big picture". Reflecting on the novel later in his career, he said, "I don't think my noies novel would have been published today as I submitted it. I don't think an editor would have read 50 pages of it.
It was very overdone and shaggy, but two young editors saw something that seemed worth pursuing and eventually we all did some work on the book and it was published. So I wrote for another two years and finished the novel. I didn't have a representative. But an editor at Houghton Mifflin read the manuscript and decided that this was worth pursuing. It should be tighter, and probably a little funnier. This "conceptual monster", as DeLillo scholar Tom LeClair has called it, is "the picaresque story of a year-old math genius who joins white noise essay international consortium of mad scientists decoding an alien message. Following this early attempt at a major long novel, DeLillo ended the decade with two shorter works.
Playerswhite noise essay conceived as "based on what could be called the intimacy of language—what people who live together really sound like", [21] concerned the lives of a young yuppie couple as the husband gets involved with a cell of domestic terrorists. Of Running Dog, DeLillo remarked, "What I was really getting at in Running Dog was a sense of the terrible acquisitiveness in which we live coupled with a final indifference to the object.
After all the mad attempts to acquire the thing, everyone suddenly decides that, well, maybe we really don't care about this so much anyway.]
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