That said, when the dirt and dust does come across, it really comes to life, and the album contains some magnificently evocative pieces. For its first half — no doubt because of its genesis as a soundtrack — the album is all but abstract.
These pieces too, mostly follow a pattern that begins to feel a little generic and aimless; a sound is found, looped, added to with layers of ambient tones and analysls, then it ends. On the plus side, Fehlmann is a master at assembling significant, evocative elements and building them into seamless and immersive soundscapes and even the most apparently featureless pieces have more to them than initially meets the ear.
Footnote to Howl Summary
April 19, Concert Review: Tool. Concert Review: Refused. Concert Review: The Mountain Goats. Holy Hell! Amnesiac Turns Flowers Turns Suburban Light Turns Free All Angels Turns Interview: Nonagon. Interview: Peter Garrett from Midnight Oil.]
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