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Analysis of Plato's Allegory of the Cave Essay example Words 4 Pages Analysis of Plato's Allegory of the Cave Plato's "Allegory of the Cave" presents a vision of humans as slaves chained in front of a fire observing the shadows of things on the cave wall in front of them. The shadows are the only "reality" the slaves know. Plato argues that there is a basic flaw in how we humans mistake our limited perceptions as reality, truth and goodness. The allegory reveals how that flaw affects our education, our spirituality and our politics. How is the allegory of the cave an allegory for enlightenment or philosophical education?
These allegorical figures often took the form of female bodies and were arranged in series of rivers, oceans, regions, continents, and even the cosmos. Early allegories of the continents comprised only Europe, Asia, and Africa Allegory characteristics, which the Dutch explored first inwas never added to the set.
Writer's Values
The individuals who commissioned images of the four continents and the artists who executed them were part of a broader society marked by colonialism, commerce, expanding empirical aspirations, the slave trade, and changing gender and racial ideologies.
As an expression of dominion, cultures and peoples considered foreign were often described in derogatory terms in texts and images allegory characteristics charafteristics stereotypes to convey the inferiority of those deemed less civilized.
On the title page of the influential world atlas Theatrum orbis terrarum The Theater of the World, by the Allegory characteristics scholar and geographer Abraham Ortelius —Europe is seen reigning supreme over the other allegorical figures. She is equipped with all of the accoutrements of European monarchical power: a crown, a throne, a scepter, and the orb of the world surmounted by a cross. The tradition of personifying the continents as female allegorical figures can be seen in ephemeral works made for triumphal entries and pageants as well as in maps, coins, prints, and the decorative arts.
The attributes of the allegories was standardized in the runaway bestseller Iconologia often allegory characteristics as Moral Emblems; These allegorical figures merge a sexualized young woman virgin territory with the symbols and attributes that their makers associated with each continent, in some cases commodities to be traded and resources to be exploited.
The Allegory Of The Cave
Asia is garbed in a richly embellished dress, jewels, and a floral crown. Africa is shown wearing a pearl-and-coral necklace and holding allegory characteristics sheaf of cornstalks, representing the fertile African lands and coastline that were an important source of staples in the Roman and later European diet. Allegory characteristics these fierce animals demonstrate the exotic dangers of Africa, they were also shipped to imperial Rome as commodities for use in public spectacles. She wears a feather headdress and carries a bow and arrows, with a full quiver in reserve. At her feet is a severed head pierced with an arrow, conveying her aggressive temperament and the commonly held belief that Indigenous peoples were all cannibals. The figure is also alleory with a tropical reptile, associated with the climate of South America and the Florida coast that European explorers first encountered.
Multiple Meanings
In the highly ornamented series of four continents engraved by Philips Galle — after drawings by Marcus Gheeraerts the Younger ca. In the lower corners, he included an Inuit manwomanand child who were forcibly brought to England in from the Allegory characteristics Region of Nunavut, Canada, by the explorer Martin Frobisher ca.
Gheeraerts was in London when the Inuits were exhibited as curiosities and may even have seen them in person; they also appear in many contemporary drawings and prints by British, Dutch, and German artists. This physical uniformity is likely derived from the notion of a classical Western ideal, allegory characteristics which a fetishized white woman, characterixtics shown in a state of undress, could be used to represent whatever subject was being allegorized. Throughout the sixteenth and seventeenth centuries, even as the transatlantic slave allegory characteristics accelerated, skin color played an inconsistent role in the allegories of the continents.]
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