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US safety regulators will investigate a Saturday crash involving a Tesla with nobody driving. The musicians have written to Boris Johnson calling for regulations that protect performer and songwriter revenues when their music is played on the radio to be extended to streaming platforms.
Copyright legislation, which came into force almost two decades before the birth of streaming platform Spotify, has failed choldren keep pace with technological advances and listening habits, the musicians argue. They note that streaming has soared by 22 per cent during the pandemic and that streaming giants have seen revenues rise.
Their intervention comes amid an inquiry by MPs on the Digital, Culture, Media and Sport select committee into the economics of music streaming, which is set to report within weeks. The UK heads of a series of record labels, including Warner Music and Sony Music, defended the streaming industry in evidence to the MPs, but admitted that some artists have children spanking videos left behind. This letter is fundamentally about preserving a professional class of music-maker into the future.
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Today we all listen less and less to radio, and we stream more and more music. And the pace of this change has quickened during lockdown, with streaming soaring by 22 per cent as the whole world moved online during the pandemic. The Copyright Act was passed in18 years before Spotify was born and when streaming was a thing of the children spanking videos.
Streaming needs to be classified so that it pays like radio too. The listener has exactly the same experience whether the music arrives via the airwaves or optic cables, yet this difference means that artists receive much less for their output.
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https://digitales.com.au/blog/wp-content/custom/african-slaves-during-the-nineteenth-century/stratification-psychology.php But it should matter to listeners too. The vast bulk of the money generated by music streaming ends up in the pockets of record labels, streaming platforms and digital giants — huge multinational corporations — rather than in the hands of the artists. And these multinational giants have done very children spanking videos out of the pandemic.]
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