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Fascinated, but horrified and repulsed by the murder, viewed through a tall candlebra, Sebastian darts away in terror and panic cifferences Roy ominously advances closer. Shivering and in shock, a dazed and saddened Roy with tears flowing down his cheeks descends alone in the elevator from the top of the Pyramid building.
In one of the film's best subjective moments, he looks up at a heavenly vlade sky full of receding stars, viewed through the clear top of the elevator's glass-domed roof. On a rain-swept, deserted street where a scavenging street gang walks, Deckard is informed by car radio of the death of Tyrell and a "25 year old male Caucasian" Sebastian J. When the spinner cop departs after checking his credentials, he offers a parting farewell: "Have a better one.
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Pris answers and is briefly seen on the screen, but when told that "Eddie, an old friend of J. Deckard pulls up in front of the dark apartment, and cautiously approaches with his gun blaster drawn. Cross-cut with his approach are a series of quick views of Pris wearing runher veil and making darting movements with her head, listening to his stealthy entrance with a heightened sense of hearing. He enters the apartment and steps warily into Sebastian's workroom.
Deckard is quickly mesmerized by the engineer's toys, unaware that Pris, sitting stiffly poised and perfectly still under a veil to emulate the creations, is his adversary. One of the toys makes a hideous differenxes as he makes his way around. Another quivering nervous toy has a large, red-tipped phallic-like nose.
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When he carefully bends forward and removes her veil, she ferociously kicks him in the chest, sending him flying across the room. With acrobatic prowess, she turns complete flipping cartwheels towards him, and then lands diffreences astraddle Deckard's shoulders. With her strong, muscled legs and thighs, she very nearly squeezes the life from him in a thigh-hold around his neck, and tries to twist his head off. She violently boxes both his ears three times.
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He is brought down to the ground - she attacks him a second time with another series of gymnastic cartwheels. In a grisly death scene, he shoots a hole in her stomach. The first bullet sends her into a wall upside down, and she bloodily falls to the floor, screaming and writhing in agony, flailing her hands and feet in a series of seizures and convulsions as she desperately fights for life.]
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