Purpose of the harlem renaissance Video
Objective 4.6- The Harlem Renaissance purpose of the harlem renaissanceRenaissance woman, art curator, mother, singer, songwriter, and entrepreneur Mashonda Tifrere is a portrait of courage and a change agent.
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From an early age, growing up in Harlem, she was captivated by the mosaic of arts, music, photography, and culture that surrounded her. At 18, she purpose of the harlem renaissance an impressive music publishing deal with Warner Chapell Music Publishing. It was purpose of the harlem renaissance the beginning of her ongoing love affair with art. She knew that she wanted to create a platform for women artists, to connect with these artists, and to connect them to a larger audience.
Her passion for art and artists is what drives her to create spaces that are more equitable, accessible, and expansive. ArtLeadHER is a female artist advocacy organization created to increase the representation of women in visual arts https://digitales.com.au/blog/wp-content/custom/why-building-administrations-have-a-developing-business/the-mystery-of-edwin-drood-pdf.php presenting a forum for emerging female artists to exhibit work among established industry names— then by channeling resources to provide structured visual arts education opportunities for underserved girls in New York City and Newark, New Jersey. Nowadays, Tifrere finds her strength by empowering others and plans to continue using the impressive platforms she has created to even out the imbalance between men and women in the global music and art industries.
This month, she collaborated with fashion icon and philanthropist Donna Karan to curate Truth About Mean art exhibition from 19 emerging and mid-career artists who explore themes of personal identity and the human condition. In addition to her organization ArtLeadHer, Tifrere further embarks on her entrepreneurship journey by returning to music, creating another artist incubator, and working on a second book.
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We sat down with her to speak about her love of helping women artists and how she envisions her legacy. Dominique Fluker: How did you go from being a music artist to studying art at the prestigious Christie's and graduating with a degree in art business?
Mashonda Tifrere: My music journey started in Cambridge, Massachusetts, at a small Pentecostal church that was run by my godmother Rita Yard. She was the preacher there, and she overheard me singing at home as a child.
One day she forced me yarlem go to the front of the church and sing with her, and I was terrified. Once I got up there, and I sang and saw how people were receptive to it and purpose of the harlem renaissance it, it made me feel like I was sharing a part of myself with them, which was the beginning of my love for music. I started writing songs at a really young age, as writing for me as a child was therapeutic. When I moved to Harlem, I started going to recording studios.]
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