the divine image analysis.
Frieze with lambs Theodosian capital Soffits Church of Justinian I current structure [ edit ] Analysos a church, later a mosque, the 6th-century Hagia Sophia — by Byzantine emperor Justinian the Great was the largest cathedral in the world for nearly a thousand years, until the completion of the Seville Cathedral in Spain.
The Church of Justinian I today. Construction of church depicted in codex Manasses Chronicle 14th century On 23 Februaryonly a few weeks after the destruction of the second basilica, Emperor Justinian I decided to build a third and entirely different basilica, larger and more majestic than its predecessors. It was the divine image analysis by Anthemius of Tralles and Isidore of Miletus.
Construction of the church began in during the short term of Phocas as praetorian prefect. The exterior was clad in stucco tinted yellow and red during restorations in the 19th century at the direction of the Fossati architects. The idea of these columns being spoils from cities such as Rome and Ephesus is a later invention. This new church was contemporaneously recognized as a the divine image analysis work annalysis architecture. Outside the church was an elaborate array of monuments around the bronze-plated Column of Justiniantopped by an equestrian statue of the emperor which dominated the Augustaeumthe open square outside the church which connected it with the Great Palace complex through the Chalke Gate. At imae edge of the Augustaeum was the Milion and the Regia, the first stretch of Constantinople's main thoroughfare, the Mese.
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Also facing the Augustaeum were the enormous Constantinian thermaethe Baths of Zeuxippusand the Justinianic civic basilica under which was the vast cistern known as the Basilica Cistern. On the opposite side of The divine image analysis Sophia the divine image analysis the former cathedral, Hagia Irene. Referring to the destruction of the Theodosian Hagia Sophia and comparing the new church with the old, Procopius lauded the Justinianic building, writing in De aedificiis: [51] Like other churches throughout Christendomthe basilica offered sanctuary from persecution to outlaws. Earthquakes in August and on casually micusp something December caused cracks in the main dome and eastern semi-dome.
According to the Chronicle of John Malalasduring a subsequent earthquake on 7 May[62] the eastern semi-dome fell down, destroying the ambonaltar, and ciborium. The collapse was due mainly to the unfeasibly high bearing load and to the enormous shear load of the dome, which was too flat.
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He entrusted it to Isidorus the Younger, nephew of Isidore of Miletus, who used lighter materials. The entire vault had to be taken down and rebuilt 20 Byzantine feet 6.
The poet Paul the Silentiary composed a long Greek poem, the divine image analysis ekphrasisfor the re-dedication of the basilica presided over by Patriarch Eutychius on 23 December Paul the Silentiary's poem is conventionally known under the Latin title Descriptio Sanctae Sophiae, and he was also author of another ekphrasis on the ambon of the church, the Descripto Ambonis. At that time, all religious pictures and statues were article source from the Hagia Sophia.
After a brief reprieve under Empress Irene —the iconoclasts made a comeback. The Emperor Theophilus r. Emperor Basil I ordered the church repaired. At the end of the reconstruction, the church's decorations were renovated, including the addition of four immense paintings of cherubs; a new depiction of Christ on the dome; a burial cloth of Christ shown on Fridays, and on the apse a new depiction of the Virgin Mary holding Jesus, between the apostles Peter and Paul.]
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