The era can also be called the age of enlightenment. - digitales.com.au

The era can also be called the age of enlightenment. Video

The Enlightenment: Crash Course European History #18

The era can also be called the age of enlightenment. - shall

. The era can also be called the age of enlightenment. the era can also be called the age of enlightenment. the era can also be called the age of enlightenment.

The greatest patron of Spanish art and culture during this period was King Philip IIwhose royal palace, El Escorialinvited the attention of some of Enlightenmfnt. greatest architects and painters such as El Grecowho infused Spanish art with foreign styles and helped create a uniquely Spanish style of painting. Spanish literature blossomed as well, most famously demonstrated in the work of Miguel de Cervantesthe author of Don Quixote de la Mancha. Spain's most prolific playwright, Lope de Vegawrote possibly one thousand plays during his lifetime, of which over four hundred survive to the present day. Some of Spain's greatest music is regarded as having been written in the period.

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It roughly ended with the Treaty of the Pyrenees in [1] that ended the Franco-Spanish War of to Spain, in the time of the Italian Renaissancehad seen few great artists come to its shores. The Italian holdings and relationships made by Queen Isabella's husband and later Spain's sole check this out, Ferdinand of Aragonlaunched a steady traffic of intellectuals across the Mediterranean between ValenciaSevilleand Florence. Luis de Moralesone of the leading exponents of Spanish Mannerist painting, retained a distinctly Spanish style in his work, reminiscent of medieval art.

Spanish art, particularly that of Morales, contained a strong mark of mysticism and religion that was encouraged by the counter-reformation and the patronage of Spain's strongly Catholic monarchs and aristocracy. Spanish rule of Naples was important for making connections between Italian and Spanish art, with many Spanish administrators bringing Italian works back to Spain. Known for his unique expressionistic style that met with both puzzlement and admiration, El Greco which means "The Greek" was not Spanish, having been born Domenikos Theotokopoulos in Crete.

the era can also be called the age of enlightenment.

He studied the great Italian masters of his time — TitianTintorettoand Michelangelo — when he lived in Italy from to According to legend, he asserted that he would paint a mural that would be as good as one of Michelangelo's, if one of the Italian artist's murals was demolished first. El Greco quickly fell out of favor in Italy, but soon found a new home in the city of Toledo, in central Spain. He was influential in creating a style based on impressions enlighhtenment.

emotion, featuring elongated fingers and vibrant color and brushwork.

Uniquely, his works featured faces that captured expressions of sombre attitudes and withdrawal while still having his subjects bear witness to the terrestrial world. Spain at this time was an ideal environment for the Venetian-trained painter. Art was flourishing in the empire and Toledo was a great place to get commissions. Both parents were from minor nobility. He was the oldest of six children. He was cwn court painter for King Philip IV and found an increasingly high demand for his portraits from statesmen, aristocrats, and clergymen https://digitales.com.au/blog/wp-content/custom/general-motors-and-the-affecting-factors-of/nikolai-kabaniaev.php Europe.

His portraits of the King, his chief minister, the Count-duke of Olivares, and the Pope himself demonstrated a belief in artistic realism and a style comparable to many of the Dutch masters. Spinola was struck [ citation needed ] by his ability to express emotion through realism in both his portraits and landscapes; his work in the latter, in which he launched one of European art's first experiments in outdoor lighting, became another lasting influence on Western painting. The religious element in Spanish art, in many circles, grew in importance with the counter-reformation. Philip IV actively patronized artists who agreed with his views on the counter-reformation and religion.]

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