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Transcript When African slaves first arrived in America, they found hope in an unlikely place. Allen Dwight Callahan, author of The Talking Book: African Americans and the Bible, talks about why slaves crossed the religious divide to find hope and inspiration in Christianity and the Bible. When enslaved Africans first arrived in America, some brought religious traditions with them. But the pain source slavery drove many to look for meaning and hope in a new place bibls the Bible.
Although most slaves could not read, biblical stories of salvation and retribution spread like fire. And the master will say, well the book is talking to me. So then the master goes away and he closes the Bible goes away, goes about his business. And then the slave usually sneaks back into the room where the Bible is and holds it to his ear.
And so Gates has seen the scenario played out in african american audio bible pieces of early African-American literature, and he refers to it as the trope of the talking book. And how did that reach them as people who had come from different traditions before? Some Africans of course came from traditions that were non-literate. Others were quite literate but in another religious tradition. There are many African slaves who came to the New World who were Muslims. So they were already acquainted with the phenomenon of a holy book.
Some of them were literate in Arabic and they negotiated that transition https://digitales.com.au/blog/wp-content/custom/general-motors-and-the-affecting-factors-of/cytochrome-oxidase.php. They had a basis of comparison, if you will. But for other uadio, the slaves from the non-literate traditions, they had a double barrier. I mean in addition to a new way of understanding a god and understanding a holy book there was that initial challenge of understanding literacy as a phenomenon itself.
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Perhaps one of the most important way, particularly in the african american audio bible phase of what we could call the Christianization of the African slaves, was through music. When slaves encountered these stories, they made the stories their own through the music that we now call the Negro spirituals. And so stories of the Bible were communicated, then were remembered in a kind of musical shorthand. And so the Negro spirituals are of course shot through with biblical references and biblical images.
How did that play out? Frederick Douglass rose up and argued against this. He taught himself. And he learned of the Bible first or by hearing it read by his master and his mistress.
As always, the interpretation african american audio bible the Bible reflects the interests of those who interpret it. So for the slave-holding class, the Bible was very important for them as a warrant for what they understood to be their right to own slaves, to own people.
And there are passages in the Bible that suggest that, and he heard those passages -slaves be obedient to your masters. And he knew that those are the passages that those slaves in the South would hear over and over and over again. And so he thought it would be better for them not to have that book at all. How did those resonate or mirror some of the African traditions that people had come to this source with?]
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