Which of the following is an example of a cadential point - apologise
Answer all questions in this section. HTML code is not allowed. Join our telegram group Download Notes. Share via Whatsapp. Be the first to comment! Incorporate tempo variations and syncopation. Add phrase marks. which of the following is an example of a cadential point.To browse Academia. Skip to main content. By using our site, you agree to our collection of information through the use of cookies. To learn more, view our Privacy Policy. Log In Sign Up. Download Free PDF. Emma Hornby.
Music Paper 3 Questions and Answers - Kapsabet Mocks 2020/2021
Rebecca Maloy. Download PDF. A short summary of this paper. Online Appendix 1 The Threni. Phrase 1 in the threniThe treatment in T5 is extremely standardized, with only two versions of the phrase.
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Choice between these versions depends on the syllable count of the words at the opening. T5: Opening divided between two syllables until the penultimate syllable of the first non monosyllable. These phrases begin with a monosyllable, or with a three-syllable word. T5 There is an extra punctum at the beginning of this figure; it is not usually present in this version of phrase 1 in T5. Phrases with a two-syllable word at the opening are included here, as are phrases opening with two monosyllables, or with a four-or five-syllable word.
There are several different openings, but most can be found with different syllable counts, lf there appears to be free choice between them. There is a pes NH on '-ta-'. There are two extra falling notes in the middle of the melisma:. Ecce verse 1 'suum' is treated as a single syllable, with scandicus NHH rather than the usual pes NH. These phrases begin with a two-syllable word or with a monosyllable.
A two-syllable opening word will usually have a three or four syllable opening, but the opening material always ends on the penultimate syllable of a word, and 'quare' is followed by the monosyllabic 'non', so this is not possible here. This is a unique variant within the genre. Treated as a single syllable. The recitation is omitted because there are only four syllables to articulate the whole phrase.
This perhaps helps to bring out the accent in the previous verse, as in many others, the penultimate accent coincides what a deep search the short melisma, because of the syllable count.
The relevant neumes here are written in a diagonal from the bottom left of the image to the top right, including the punctum below the NHH scandicus at the extreme top right. Virga on '-it'. In T5, the accentuation is followed and the syllabic passage is omitted. These are marked in bold wbc cartoon the table source. There is no note for the final syllable in T5.
The opening also takes three syllables in the previous verse see below. There are too many notes for the syllabic passage in T5. The torculus is on the accent '-ver-' rather than the penultimate syllable. The proparoxytone at the end is treated in the same way as paroxytones are usually treated, with a single note on the extra remaining syllable. In the verse, the type-3 melisma on 'cogitaverunt adversum me ' is seen also at the half-verse point in the respond of Cogitaverunt on ' Cogitaverunt adversum me' ; it almost certainly has a cadential function. Silos 4 has an extra pes in the melisma on ' cla ma vi ' and ' i ni quis '. The melody was clearly known in a similar version in the two places, but the melismas were not entirely fixed in their content.
Although there is a melisma on ' domi ne' in the first verse, which of the following is an example of a cadential point is no standard cadential figure at this point; the same melismatic material is echoed on 'ne derelinquas me' with a type-1 melisma.]
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