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All rights reserved. Sensible Politics argues that students of social theory and international relations IR need to appreciate politics as a multisensory performance.
As a student in the garden design and ethnographic filmmaking classes, I lis- tened to lectures and studied texts to survey history and theory, but the most inter- esting part of the courses was their practical instruction. People built different styles and types of ,ari. These experiences thus raised many of the questions addressed in Sensible Politics.
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I am happy to be part of the recent advances in visual IR and visual culture studies that take seriously the role of images in international politics. To put it another way, while my previous research used theory e. We were allotted half a day to design and build our gardens.
Because I chose to build a large water garden in a deep valley, it got dark before I could finish.
Visual and multisensory politics is a growing field that addresses an entangled ecology of concepts, practices, and experiences. I am happy to acknowledge the friends and colleagues who have helped me write Sensible Politics. I also thank the students in my Visual International Politics class for helping me work through the arguments in this book. Chapters 4, 9, and 10 are refined versions of, respectively, the following publications:. I thank the publishers for their permission to use this material.
Finally, I thank Sumalee for anallysis her help and support: Chaiyo!
Introduction Visualizing International Relations. Sensible Politics argues that visual international politics is important and different. Images thus shape our view of the world, by making some things visible while at the same time making other things invisible.
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Iconic images can be very powerful, even demanding an ethical and political response. Sensible Politics. William A.]
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