Deep river is a great example of a jazz piece. - digitales.com.au

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Deep river is a great example of a jazz piece. 74
deep river is a great example of a jazz piece. Deep river is a great example of a jazz piece.

Early life[ edit ] Hancock was born in Chicagothe son of Winnie Belle Griffina secretary, and Wayman Edward Hancock, a government meat inspector. His parents named him after the singer and actor Herb Jeffries.

deep river is a great example of a jazz piece.

Considered a child prodigy[7] he played the first movement of Mozart 's Piano Concerto No. He was also influenced by records of the vocal group the Hi-Lo's. In his words: " I could hear stuff and that's when I really learned some much farther-out voicings — like the harmonies I used on Speak Like a Child — just being able to do that.

I really got that from Clare Fischer 's arrangements for the Hi-Lo's. Clare Fischer was a major influence on my harmonic concept You know, that's where it came from. During this time he also took courses at Roosevelt University. The pianist quickly earned a reputation, and played subsequent sessions with Oliver Nelson and Phil Woods.

deep river is a great example of a jazz piece.

Hancock was introduced to Davis by the young drummer Tony Williamsa member of the new band. Davis personally sought out Hancock, whom he saw as one of the most promising talents in jazz.

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The rhythm section Davis organized was young but effective, comprising bassist Ron Carteryear-old drummer Williams, and Hancock on piano. After George Coleman and Sam Rivers each took a turn at the saxophone spot, the quintet gelled with Wayne Shorter on tenor saxophone. This quintet is often regarded as one of the finest jazz ensembles [15] yet.

Hancock also recorded several less-well-known but still critically acclaimed albums with larger ensembles — My Point of ViewSpeak Like a Child and The Prisoneralbums which featured flugelhornalto flute and bass trombone in addition to the traditional jazz instrumentation.

During this period, Hancock also composed the score to Michelangelo Antonioni 's film Blowupthe first of many film soundtracks he recorded in his career. As well as feature film soundtracks, Hancock recorded a number of musical themes used on American television commercials for such then well known products as Pillsbury 's Space Food SticksStandard OilTab diet cola and Virginia Slims cigarettes.

Hancock also wrote, arranged and conducted a spy type theme for a series of F. William Free commercials for Silva Thins cigarettes. Hancock liked it so much he wished to record it as a song but the ad agency would not let him. He rewrote the harmony, tempo and tone and recorded the piece as the track "He Who Lives in Fear" from his The Prisoner album of Despite some initial reluctance, Hancock began doubling on electric keyboardsincluding the Fender Rhodes electric piano at Davis's insistence.

Hancock adapted quickly to the new instruments, which proved to be important in his future artistic endeavors.

exa,ple Under the pretext https://digitales.com.au/blog/wp-content/custom/japan-s-impact-on-japan/what-was-the-most-important-role-textiles-played-in-the-industrial-revolution.php he had returned late from a honeymoon in Brazil, Hancock was dismissed from Davis's band.

However, although Davis soon disbanded his quintet to search for a new sound, Hancock, despite his departure from the working band, continued to appear on Davis records for the next few years. One of the jazzier songs on the record, the moody ballad "Tell Me a Bedtime Story", was later re-worked as a more electronic sounding song for the Quincy Jones album Sounds]

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