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Caesar: Rome vs. Gaul marks the return of designer Mark Simonitch to card-driven wargames. He also designed Hannibal: Rome vs. Carthage about the Second Punic War. Moving from one space to another usually costs one movement point.It is widely believed that the Ancient Britons employed the custom of painting themselves with woad patterns. This article explores glalic the many and lesser-known contentions behind this popular caesar gallic wars summary. According to Caesar, "omnes vero se Britanni vitro inficiunt, quod caeruleum efficit colorem". This translates to: "All the Britons stain themselves with woad, which produces a blue colour". This passage is the most read more evidence for Ancient British warpaint; but it could scarcely be more controversial. Firstly, Caesar annoyingly fails to specify whether the Britons dyed their bodies entirely blue or in patterns, and many works have imagined Britons stained entirely blue from head to toe.
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Fortunately, Caesar is not the only one to mention this British custom: Herodian writes of the Picts in his History"They also tattoo their bodies with various learn more here and pictures of all sorts of animals. Then there is the issue of whether they wore warpaint or tattoos, which often arises even among the most well-informed scholars. The answer is less explicit than for the previous question, but it seems to be tattoos; Caesar's word inficivnt does not mean "they paint", more like "they stain"; relatively long-term then, if caesar gallic wars summary permanent.
Furthermore, during the Stone Age, tribal tattoos were by all accounts a widespread practise, judging from the body of Otzi the corpse of a Neolithic man preserved in the Alps for five thousand yearsand a few bog-body finds support the idea that in parts of Northern Europe this practise persisted into the Iron Age. But more on that below. But what substance did the Britons use to thus "paint" themselves? The caesar gallic wars summary response is "woad"; but is this really the case?
Woad Warpaint
If challenged, someone familiar with the classical texts will tend to give an offhand caesar gallic wars summary to Pliny or the above passage from Caesar. But vitrumthe word Caesar uses, does not actually mean "woad", and nor does Pliny's glastum Indeed, Pliny doesn't even use the term of Briton warriors, but of Gallic women at a certain annual festival. Besides, he knew about woad, isatisand would caesr used that word if that was what he was referring to. Kym ni Dhoireann, in his article The Problem of the Galljctraces the earliest translation of vitrum as "woad" back toin William Camden's Britannia.
He points out that this date coincides with the start of the so-called "Indigo Wars", a period of quite fierce competition between merchants of cheaply grown imported indigo, and the local cultivators of the more expensive and time-consuming woad, for a dark blue dye. Camden, a "local", was probably trying to instil some sort of patriotism into woad although there was no doubt educated guesswork caesar gallic wars summary there too. And, one way or another, his translation rapidly became the accepted version.
His idea worked, much better than he could ever have hoped it would; three hundred years later, we still unquestioningly follow his lead. Woad, he goes on, just doesn't work. Arguments that it is a hallucinogen are false, and https://digitales.com.au/blog/wp-content/custom/a-simple-barcoding-system-has-changed-inventory/roy-lichtenstein-often-based-his-imagery-on-the.php does not caesar gallic wars summary well as a tattoo ink because it cxesar caustic and keeps the wound open.
It is an excellent dye for clothing, but does not stain the skin effectively. There is absolutely nothing, he says, in defence of the use of woad as the "paint" of the Britons. Woad is too dark to show up blue against the skin, and Caesar states specifically that vitrum produced a light blue colour "caeruleum. But vitrumKym argues, is likely just an indication of the colour, not the substance used; glass, after all, does not stain. Traces of copper and iron have been found on the body of the famous Lindow Man caesae Iron Age body preserved in a bogeither of which can produce a blue-green colour.
Without getting into too much chemistry, compounds of Iron III are a blue-green colour as opposed to Iron II which are red-brownand copper oxide is similar but lighter. But this proves nothing either way. Copper pigment would probably have been toxic, as it can well contain arsenic, but the effects would have been slow enough to perhaps not be linked to a cause, according to Kym.
Iron pigment would not be toxic, and furthermore Kym has dug up some potential written evidence which could be used in its favour.
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It is, however, open to interpretation. In the words of the poet Claudius Claudianus: legio [. This translates to "The legion [. But there is no evidence for the existence of such a word in Gaulish, Ancient British is not actually attested and there are no traces of such a caesar gallic wars summary in later Brythonic languages as far as I know, so this theory is mere speculation. When I showed him this article in its second draft, he told me this:. Of course, woad need not have been the only dye stuff used - other pigments are possible, and the true British markings may have been multi-coloured. We stuck to blue because that is the only one supported by the warrs literary accounts - and indeed, there are almost certainly ceremonial and ritual aspects that we are ignorant of.]
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