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The main theme for Jaws, revolving around an ostinato of bass noteswhich composer John Williams said were meant to represent the shark as an "unstoppable force" of "mindless and instinctive attacks" [73] Problems playing this file? See media help. John Williams composed the film's scorewhich earned him an Academy Award and was later ranked the sixth-greatest score by online movie hollywood American Film Institute. Williams described the theme as "grinding away at you, just as a shark would do, instinctual, relentless, unstoppable. When asked by Johnson why the melody was written online movie hollywood such a high register and not played by the more appropriate French horn, Williams responded that he wanted it to see more "a little more threatening". As Williams saw similarities between Jaws and pirate movies, at other points in the score he evoked "pirate music", which he called "primal, but fun and entertaining".
He further argues that the score's strongest motif is actually "the split, the rupture"—when it dramatically cuts off, as after Chrissie's death.
The character online movie hollywood Quint strongly resembles Captain Ahabthe obsessed captain of the Pequod who devotes his life to hunting online movie hollywood sperm whale. Quint's monologue reveals a similar obsession with sharks; even his boat, the Orca, is named after the only natural enemy of the white shark. In the novel and original screenplay, Quint dies after being dragged under the ocean by a harpoon hoklywood to his leg, similar to the death of Ahab in Melville's novel. However, the scene from Moby-Dick could not be licensed from the film's star, Gregory Peckits copyright holder.
Those precedents helped Spielberg and Gottlieb to "concentrate on showing the 'effects' of the shark rather than the shark itself". Most is taken from horror, with the core of a nature-based monster movie while adding elements of a slasher film.
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The second half is both a buddy online movie hollywood in the interaction between the crew of the Orca, and a supernatural horror based on the shark's depiction of a nearly Satanic menace. When the doctor attempts to onlije the townspeople of the danger, he loses his job and is shunned. This plotline is paralleled in Jaws by Brody's conflict with Mayor Vaughn, who refuses to acknowledge the presence of a shark that may dissuade summer beachgoers from coming to Amity. Brody is vindicated when more shark attacks occur at the crowded beach in broad daylight.
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Sinyard calls the film a "deft combination of Watergate and Ibsen's play". Stephen Heath relates the film's ideological meanings to the then-recent Watergate scandal. He argues that Brody represents the "white male middle class—[there is] not a single black and, very quickly, not a single woman in the film", who restores public order "with an ordinary-guy kind of heroism born of fear-and-decency". Yet he observes that, far from the narrative formulas so often employed by New Hollywood filmmakers online movie hollywood the era—involving Us vs. Them, hip counterculture figures vs.
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The seaman's "working class toughness and bourgeois independence is alien online movie hollywood frightening Hooper, meanwhile, is "associated with technology rather than experience, inherited wealth rather than self-made sufficiency"; he is marginalized from the conclusive action, if less terminally than Quint. He asserts that its symbolic function is here be found in this very "polysemousness which is profoundly ideological, insofar as it allows essentially social and historical anxieties to be hollyood back into apparently 'natural' ones The last of the three is the one which succeeds and is in that way endorsed by the film.
Johnson to test how susceptible audiences were to cinematic stress inducers.
While Johnson could not find an exact cause for the stress response in viewers, whether it be the suspense, the gore or the music production, a study by G.]
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